Perhaps because I have been suffering from severe psoriasis for many years, I used to focus on exploring myself, feeling my physical and psychological changes, feeling the "unspeakable secrets" of ordinary people that something seems insignificant ,but which is repressed when someone in it.

I like to observe people who cannot really control their own lives but still try to live like a beast, and this is very appealing to me. I have always believed that art making is the best medicine to heal the unspeakable.

It's hard to say whether this perspective is universal or personal.
At first, when I conceived Naked, I was in the midst of an identity crisis due to a change in social identity, which caused me a great deal of anxiety and confusion, like a believer who suddenly begins to doubt the existence of his worshippers. I asked myself a series of questions such as:

1. Was the "naked me" just an illusion, was it just because I was wearing the right clothes at the right time that I mistakenly thought it was me?"
2. "So is my skin - and the subject of the life it extends - also clothing?"
3. "Are my muscles a second layer of clothing that I wear, either physically or mentally? What about the internal organs? And by analogy, is what constitutes what I am simply layer after layer of interlocking structures? Is there a real 'I' within these layers of clothing, or is it just nothingness?"

In my view the production of Naked was also a process of trying to answer my own questions and to heal myself.

The choice of materials is a very important part of my work, especially materials of a biological nature such as bacteria, fungi and other fungal materials, felts, oils and other materials of biological origin, etc. I think they have a meaning of life.It symbolises the strength and longevity of life